Igor Vamos, associate professor of electronic media and culture jammer-- along with Andy Bichlbaum--has premiered their new movie, THE YES MEN. FIX THE WORLD and received media attention for holding a faux news conference on behalf of the U.S. Chamber of Commerce.
Read MoreBasil Whiting '60: Back to the Future
Now enjoying its 50th anniversary of
granting degrees, the School of Humanities, Arts, and Social Sciences (HASS) can take
great pride in our alumni, who, in a remarkable array of
fields from pharmaceuticals, law, game development, digital media and art,
design, communication, teaching, and research, to film animation, academic administration, and government, distinguish
themselves as indivduals making a difference in the world.
One of our earliest graduates, Basil Whiting '60, accepted Dean
John
P. Harrington's invitation to
reflect at the April 25, 2008 Fiftieth Anniversary of the School on his years preparing for his B.S. in Philosophy. He was among the first Humanities
and Social Sciences graduates. Looking back with the added perspective of a successful career in government, business, and nonprfit organizations, Baze, as he has been known
for years, had earlier offered his reflections at a gathering in 1990 called
together by Dean Thomas Phalen on the occasion of the 30th Anniversary of the School, then the School of
Humanities and Social Sciences (H&SS). His reflections at both events,
excerpted here, are invaluable because he provides historical context for the
current growth of HASS, as he lays out the path he pursued toward a degree in philosophy at Rensselaer.
Dean Phelan's "Vision"
Plans
Dean Tom Phelan, a Jesuit Priest and as a consequence "Father Tom" to many, served as educator, mentor and friend to thousands of
Rensselaer students, faculty, and staff during his quarter century as the leader of H&SS. Baze recalled The Dean's Planning and "Vision" documents
that were the focus of the 1990 gathering. "No mere replication of classical liberal arts courses -
though, thankfully, they're not all gone," he said at the time.
"There is now a sense of conscious choice among the special opportunities
the Institute's environment offers. Thus:
• The Arts will express the aesthetic impulse through integrated electronic arts media;
• Language, literature, and communication, Will combine rhetoric and technical communication;
• Philosophy will explore moral development in a context of artificial iuntelligence;
• Psychology will center on productivity and innovation in industrial organization - and on "human factors" (which I hope is full-blown social systems analysis, no mere ergonomics);
• And Science and Technology Studies will analyze the policy, political, and historical inter-relationships between society and technology."
Baze finished by describing the strategies that were driving the School toward
the new millennium: "Building bridges to span the socio-technical
dichotomy, finding our mutualities, is an exciting and exhilarating
challenge."
A View from a New Century: Memory and the Future
Dean Harrington's charge to Baze for his remarks eighteen years later was, in
Baze's words, to "reminisce with you about the early years, the founding
years of the School. Let me do this by offering you four memories."
Basil Whiting, successful in a fistful of fields, only partially retired,
opened with "how the School began and I got into it. Fifty years ago, in
the spring of 1958, I was a sophomore in physics at RPI. I had been admitted on
a full Alumni Tuition Scholarship because I was very much into science,
especially physics-nuclear physics-in high school, having read as far as I
could into writings of Neil's Bohr and Einstein and others of those pioneers
until their math stopped me. But in that spring, I was not a happy camper on
campus. I was getting straight A's, but I was developing new needs and desires
that physics wasn't answering and didn't promise to. I wanted to know how the
world really worked, not mechanically and scientifically but in terms of how
people and groups and nations did what they did and how they interacted.
"But, I was locked into a full tuition scholarship that I couldn't take
with me elsewhere, and my parents were sacrificing to support me at RPI. I was
as deeply unhappy as a 19-year-old in such a dilemma could be.
"Now it so happened that at that time the "commentariate," a
term we now use but that didn't exist then, had created quite a flap, or
national wave, of widespread concern about the need to "humanize" our
engineers and scientists. I don't recall what the precipitating event of this was;
maybe something to do with those who created the doomsday weapons we all feared
during the Cold War and were digging Rockefeller bomb shelters against. In any
respect, at least from my perspective, RPI and several of the technical
institutions that we considered our competitors and peers were beginning to
offer degrees in the humanities, arts, and social sciences and create
departments and schools to attract such people as faculty. And so, in that
spring, I was recruited into this new School, into its new Department of
Philosophy.
"At spring break, I went home and sat down with my parents and said I was
switching majors from physics to philosophy. I remember my father, a jewelry
toolmaker, the best of that breed, shaking his head and saying, "When you
were going to be a nuclear physicist, I knew what you were going to do. You
were going to make atom bombs. But what does a philosopher do?" That
stumped me for a bit, and I recall lamely responding, "Dad, and Mom, I
don't really know. But I'm told that most of the leaders in our society, in
business and government and other things, came mostly out of liberal arts
programs, like those at Brown University (I said, reaching for a local ‘hook').
I will have to find my way in the ways they did."
"I'm not sure they understood and supported my decision, but they didn't
oppose it. And, in the fall of 1958, I became a junior in the first
degree-slated class in philosophy from RPI. My second and third memories are of
two faculty members, two professors, because they are, if you are lucky and
academia works the way it is supposed to, the mentors and guides who can shape
your life, or at least enlighten it-and, I can't do this without citing these
two.
"I was recruited into
Philosophy by the head of that department, Dr. Robert Whallon. Does anyone here
recall Bob Whallon? [Several hands raised in response.] Well, he offered a way
to "wisdom" that was what I was looking for. Now, Dr. Whallon was
something of a quiet character. He was bony thin with a prominent Adam's Apple
and fading hair and chin-line. He looked like what you'd imagine Ichabod Crane
would look like. He lived with his wife in a house that he'd hand-built in the
hills above Troy; and he drove a Model-T Ford that he'd restored and maintained
down those hills, even in winter, to park in the West Hall parking lot-where
H&SS was then-and back up a day's end.
"In winter, he'd wear Long-John red underwear that would stick out of his
sleeve and pants cuffs. He'd sit at the tables in the front of the West Hall
Classrooms we then inhabited, lecturing and entertaining Socratic questions
from us, smoking-we all did that then but he did it with king-sized, unfiltered
Chesterfields, lit end-to-end, pulling the table drawer open and dumping ashes
and butts into them. By year-end, all the drawers in all the classrooms I
recall our using with him were chock full of this debris. This, of course, led
to the emphysema that in later years I'm told killed him-as it did so many
others.
"But, he was a kind and gentle and wise man who spent hours one-on-one
with a distraught and searching young man like me. In the classroom, he led us
through a survey of the great thinkers from the pre-Socratics into the mid-19th
Century. (Hey, it was the first two-year survey program for majors, and he
didn't have the timing down exactly yet. So, we never got to the late 19th and
early 20th century Existentialists, which I've always lamented, since I was
deeply into watching Ingmar Bergman's early movies.)
"But, withal, he made us read more than I ever thought I would-and also
write ten pages a week on any of the subjects we were addressing-a demand none
of my classmates had until then had to deal with. And which I think was as
formative of me as anything else he did. That, for him, and my editing the
POLY, made me a good writer (my high school English teachers had something to
do with this, too). And I will testify that I have since seen in my career more
done, or not done, for good or ill, because of what someone wrote and how well
they did it, than from all the other analysis and argument that others might
array for or against something.
"The second great professor: Does anyone here recall Doug Washburn?
[Again, several hands rose.] I'm not sure what department he was in then,
Language and Literature, I think. But he taught a fabulous survey course on the
major movements in all of the arts in the century preceding the late 1950's. I
found this revelatory. He would define, say, Expressionism, its roots and major
canons. Then he would show how it infected many modes of artistic expression.
We saw it, of course, in painting, but also in dance, music, literature and
poetry, and more. He would trace how that spreading occurred, in part, in ways
I think he called social and we'd maybe now call viral, from artists from
different domains spending nights in the same cafes in Paris. (Analogous to the
bars in the Silicon Valley that are cited as the fermenting centers of the
digital revolution-and many of its companies-of today.)
"I recall Washburn assigning us to analyze the "symbolism" of, I
think, a Hart Crane poem. I spent hours reading and re-reading this poem. What
the devil was symbolism anyway? And I got into it, and finally "got
it." There were two things going on, a straight-forward, and lovely,
description of children gamboling at a beach-and within it, the symbolism, the
allusions, of the words used, a foretelling of the sexuality that these kids
would grow up to express and experience. I have to tell you that this was one
of the most intellectually exciting moments of my life. You could do something
like this at two such levels! Omigawd!
"Now, I have to say, too, that this was the 1950's, the Eisenhower years,
before The Pill, when no one really spoke or wrote or depicted sex (much), so
that to discover that you could discuss "sex" in a poem (!) in this
"secret" way was revelatory to a highly hormoned 20-year old. I
remember running to Prof. Washburn almost shouting my discovery. And he
listened and said I had got it and patted me on the back and told me to keep
going.
"Number four. We in the new humanities and social science programs more or
less co-existed with the science and technology majority, sort of like what we
as a nation did with the Soviet Union in those days. I don't recall our
"humanizing" them much. And, it did not seem that those who led the
creation of the School and its first few years had much of a vision of what a
humanities and social science school at a technological university should be
like-how should it be special because of where it was located, how could it
take advantage of that larger and older set of schools, how could it devise
ways of making distinctive contributions to the university at large. Oh, there
was a technical writing program, I recall, and a philosophy of science course.
But mainly the leaders then seemed mainly to be recreating at RPI the kind of
traditional humanities programs that one could find in liberal arts colleges of
RPI's scale.
"That wasn't necessarily a bad thing, but it didn't grasp the
opportunities inherent in the situation. I recall 25 years ago writing to then
Dean Phalen and suggesting that he convene a celebration of the School's
forthcoming 30th anniversary. He did and I was asked to make a formal address
on that occasion. I recall my saying that I had found that a humanities
education at a technical university was perhaps the best preparation for a life
and career led in the last 40 years of the 20th century, because so much of
what I had lived through until then was basically of a
"socio-technical" nature, and I went on at some length about that,
arguing that what we need are "bridge people" who are comfortable in
both worlds. And, if you think about it that was clearly true then, more so
since then, and promises to continue to be so. The social interacts with the
technical, sometimes happily and fruitfully, sometimes not. Our President's
opening remarks tonight reflected similar perceptions.
"But, as I scan the School's catalog these days it does seem to me that
leadership at the School in recent decades has found an appropriate vision of
what a humanities and social science program at a great technical university
can and should be. Far fewer traditional courses, much more in the way of
courses that draw on and extend the scientific and technical traditions of RPI
and that make their own, new contributions, like the new game theory program
that I heard about during the cocktail hour.
"So, enough memories. In another 25 years, there will be the 75th
anniversary and we will be able to look back on yet more evolution of the
unique role of this School. I'll be 95 then, and if I'm still around-and you'll
have me-I'll speak to you then, too."
Basil Whiting held positions as a U.S. Army Intelligence Corps officer, a
Senior Program Officer of The Ford Foundation, a Deputy Assistant Secretary of
Labor in the Carter Administration, the Vice President for Human Relations of
the Long Island Rail Road, and a management consultant for over 20 years on
teamwork structures in industry and on workforce, community, and economic
development with nonprofits, foundations, and business groups. At present he
was noted as acting as director of the Army Wounded Warrior Careers
Demonstration Program, which, with private funding, seeks to assist severely
disabled veterans of the wars in Iraq and Afghanistan to resume roles as
"contributing members of their communities.